The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
“Ghosts are just the fucked-up dead.” This interview with David Mitchell on the release of his spooky new novel Slade House is a perfect Halloween read. We interviewed Mitchell this same time last year in conjunction with the publication of The Bone Clocks.
Recommended Reading: Lydia Davis's new short story, "Old Men Around Town," in the New Statesman. "He stops to tell us that he must be up early in the morning – to get down to the factory. The factory is gone, his men are gone, but he still seems to be in charge of something." For more Davis, check out her new collection.
"Baker is such a wonderful prose stylist that he could probably get away with publishing his diary—which, for epic stretches, is what Substitute feels like." Over at The Nation, Evan Kindley reviews Nicholson Baker's latest, a 700-plus-page non-fiction exploration of substitute teaching. Spoiler: it's not as sexy as Baker's other work. If it's the sex you want, see our primer on Baker's novels; also immensely entertaining, our interview with the author from 2013.
Following Sarah Hepola's devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu's piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart