The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
Annie Dillard’s The Writing Life might well be the only book in history to draw comparisons between creative writers and stunt pilots. At Brain Pickings, Maria Popova calls attention to a description of Dave Rahm, the real-life pilot who inspired Dillard’s analogy.
Out this week: Startup by Doree Shafrir; Borne by Jeff VanderMeer; The Maids by Junichiro Tanizaki; The Last Neanderthal by our own Claire Cameron; and Anything Is Possible by Elizabeth Strout. For more on these and other new titles, go read our most recent book preview.
Nowadays, Lord of the Flies is a byword for savagery, a book that illustrates more potently than any other just how low it’s possible for humanity to sink. In The Guardian, Robert McCrum ties the book’s conception to the second World War, arguing that its view of the world was “unimaginable” without Nazi Europe.