It’s fitting that Ray Bradbury credited his interest in architecture to an H.G. Wells story he read when he was five. At The Paris Review Daily, a previously unpublished essay by the author, who says his career in architecture started when he noticed there was no plaque at the residence of Sherlock Holmes. Related: Tanjil Rashid on Bradbury’s connection to the Middle East.
New this week: The Brunist Day of Wrath by Robert Coover; Frog Music by Emma Donoghue; Off Course by Michelle Huneven; And the Dark Sacred Night by Julia Glass; Worst. Person. Ever. by Douglas Coupland; The Ballad of a Small Player by Lawrence Osborne; Love & Treasure by Ayelet Waldman; and The Empathy Exams by Leslie Jamison. For more on these and other new titles, go read our Great 2014 Book Preview.
Nobody needs reminding that Yeats was a major poet, but it can be easy to forget, a hundred years of his major work, just why his poetry has endured. In The Irish Times, Denis O’Donoghue makes a forceful case for Yeats’s relevance, arguing that “Yeats solved, or came closer than any other modern poet in English to solving, the problem that defeated so many of his contemporaries: how to reconcile the claims of common speech, morally responsible, with the insisted-on autonomy of the poem.”
For those among us who have missed the eighties, from now until November 8th, Esquire magazine is hosting a special pop-up edition of SPY, that late-millennial stalwart of satirical journalism. Co-founder (and novelist) Kurt Andersen said he was moved to bring the magazine back because “lots more people, pretty much every day, said to me, ‘SPY really needs to be rebooted, if only just for the election.'”
If it’s election satire you want, we highly recommend our own Jacob Lambert‘s literary cagematch: Hemingway vs. Faulkner vs. Trump.