Chad Harbach‘s The Art of Fielding is ubiquitous. We tapped it in our Second Half of 2011 Preview. n+1 bundled it with year-long subscriptions. The Awl interviewed the author. The New Yorker‘s Book Club picked it as their September book. It was reviewed in The New York Times. Now Keith Gessen‘s expanded his Vanity Fair piece on the novel’s development into a standalone e-book. In light of all this hype, McNally Jackson’s Tumblr provides a poignant list of baseball puns for reviewers to start avoiding.
Ever wondered how the fact-checking process works? Well wonder no longer. The Columbia Journalism Review posted an excerpt from their recently published Art of Making Magazines collection, and it explains The New Yorker’s workflow as well as the perils of “Shoot-the-Fact-Checker Syndrome.”
The most depressing favorable review of a TV show you’ll read this year, LA Review of Books shares why “Catfish: The TV Show” is so poignant and so very sad.
The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
On the occasion of the publication of his novel The Madonnas of Echo Park, Brando Skyhorse writes about the decades-long path that got him there and the rules for writing that he devised. (Thanks, Steve)
Brittany Oliver listed the “6 Most Influential Women Writers You’ve Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.