Experience Claudia Rankine’s sound and fury in a new poem in The New Yorker. Pair with a piece on why Americans love poetry, but not poetry books.
New from Claudia Rankine
Reader’s Nostalgia
“Why do we spend so much time with stories whose endings we already know?” Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman‘s Slate essay about “thinking that you’re not getting as much from reading as you used to.”
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The Différance Between Biography and Life
“Biography, even those of intellectual figures, assumes a general reader, a reader who does not understand or want to understand the ideas of its subject. The biography of a philosopher magnifies this approach, turning its attention simply to the ‘significant events’ in the life of the philosopher.” Derrida: the impossible biography?
Orsonalia
This will either make or ruin your Tuesday: a clip of Orson Welles, in 1974, reminiscing about his relationship with Hemingway. As Sadie Stein writes, “it has everything: titanic ego-clashing, disingenuous concern-trolling, bullfighting, damning with faint praise, posthumous character assassination.” You could also read Jessica Roake on Peter Biskind’s My Lunches with Orson.
There Is No End
“In the years before my book came out, I was writing frantically. I remember a week when I was working late at my job, late enough that the buses had stopped running and I had to take a cab home, and I still wrote into the night, trying to finish an essay I had promised an editor. Now I see that I was trying to race against time. I had believed, however irrationally, that there would be a moment beyond which my voice would be taken away from me and I would no longer be able to write.” On writing and tenacity.
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Marie-Helene Bertino on Manipulating Time in Fiction
In Bertino's latest novel, a bride-to-be struggles with her past, her future, and her dead grandma, who's back as a bird.
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2010 Giller longlist announced
The longlist for Canada’s 2010 Scotiabank Giller Prize has been announced. Notable omissions: “Ilustrado by Montreal’s Miguel Syjuco, which won the Man Asian Literary Award before it was even published; Beatrice and Virgil, Yann Martel’s first novel since his breakthrough Life of Pi; and, most notably, Room by Emma Donoghue, which was recently shortlisted for the Man Booker Prize.”
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