Experience Claudia Rankine’s sound and fury in a new poem in The New Yorker. Pair with a piece on why Americans love poetry, but not poetry books.
New from Claudia Rankine
Auditing The Pale King
Two writers dive deep into David Foster Wallace’s posthumous Pulitzer finalist novel, The Pale King. Seth Colter Walls takes a look at the tax classes the author took before he began writing, and Eliot Caroom checks the facts laid out in Wallace’s portrayal of the IRS. (Related: the opening lines of The Pale King, and a previously unpublished scene as well.)
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Many Unusual Deaths
Wikipedia Find of the Week: List of unusual deaths. For example, “Draco, Athenian law-maker, was smothered to death by gifts of cloaks showered upon him by appreciative citizens at a theatre on Aegina.”
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A Front-Row Seat
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
Leesa Cross-Smith on the Moment a Story Begins
Leesa Cross-Smith discusses writing in different formats, her recent short story collection, and how she uncovers a story's beginning.
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The Economist and the Poet
The Economist has a nice interview with Farrar, Straus & Giroux publisher Jonathan Galassi. In it, he discusses the role of poetry in modern society, and how it’s still “something people perversely do.”
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The Marvelous Words
Over at Catapult, Niina Pollari writes about translating Finnish literature in English. As she puts it, “If a thing you read gives you that sensation, it’s your responsibility to share the piece with someone.”
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