Recommended (Long) Reading: This lengthy excerpt from the latest book in Karl Ove Knausgaard’s My Struggle series. In it, Knausgaard is introduced to the literary world and stresses a great deal over his own claims to artistic merit: “Deep down, I was decent and proper, a goody-goody, and, I thought, perhaps that was also why I couldn’t write. I wasn’t wild enough, not artistic enough, in short, much too normal for my writing to take off. What had made me believe anything else? Oh, but this was the life-lie.”
Book Five: Still Strugglin’
Talk About That
“Here is a fascinating conundrum: The creator of a scientifically delegitimized blueprint of the human mind and of a largely discontinued psychotherapeutic discipline retains the cultural capital of history’s greatest playwright and the erstwhile Son of God.” On Freud.
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Tuesday New Release Day: Canin; Jansma; Majka; Griffin; Kennedy; Perabo; Dacey; Montes
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
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Happy (?) Birthday, Franz
Franz Kafka’s birthday was a couple of days ago — the celebration (which would surely have been a subdued affair) would have been his 133rd. Celebrate yourself by taking look at this helpful animation which explains the woefully misused term “Kafkaesque.”
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Grand Theft Bookstore
Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
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An Irish Take on the NYC Grid
New York City’s municipal grid turns 200 this year. To commemorate, author and Year in Reading alumna Belinda McKeon notes the way New Yorkers utilize it as they “don’t wander so much as dart” from place to place.
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