Even more Rossetti! Here is a hilarious reimagining of Rossetti’s “Jenny” by Mallory Ortberg over at The Toast. If it’s a belly laugh you’re looking for, then stick with Ortberg: try Dirtbag Jason and the Argonauts.
Money and Making Out Both
“The Game” and Fan Fiction
Electric Literature has published a look at two new Sherlock Holmes fan fictions, “the game,” and various copyright complications, which just happens to dovetail with our own Elizabeth Minkel‘s Year in Reading account of admitting to loving Sherlock fan fic. In fact, loving the great detective has a lot to do with writing well: as Ryan Britt puts it, successful fan fiction authors “all love Holmes and his adventures way more than the man who created the great detective thought possible. Which, today, remains the biggest cultural mystery we’ll hopefully never get tired of investigating.”
Doodling Lit
We all doodle, but Meg Wolitzer gets inspired by it. When she was writing The Interestings, she frequently drew her way into her characters. “I sometimes drew crude, Harvey- and Archie-inspired images of my characters, in keeping with the spirit of Ethan Figman and Figland,” she wrote in The New Yorker.
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Only Sounds
“The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is.” This excerpt from John Cage’s journals, forthcoming as Diary: How to Improve the World (You Will Only Make Matters Worse), is as baffling as it is beautiful.
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Research
Two weeks ago, Tod Goldberg came out with a new novel, Gangsterland, that centers on a hit man in the Chicago Mafia. At The Nervous Breakdown, you can read an excerpt of the novel, as well as one of their trademark self-interviews, in which Goldberg explains that for the past three years, he’s been “writing and writing and writing. But sometimes, that just means I’m not writing at all.” You could also read the author’s dispatch from AWP.
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First Printings Get Smaller
PW points out yet another publishing industry totem being torn down by the rise of e-books, the first printing number, once a signifier of how “big” publishers and the media expected a book to be: “In an era when first printings are down because e-books can account for as much as 50% of sales on frontlist titles, the term ‘first printing’ sounds more and more out of place.”
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