Recommended Reading: The New Republic on Laura Ingalls Wilder’s new collection of letters and the end of the frontier. “Wilder was disillusioned by a country that no longer seemed to value the achievements of her generation.”
Charlaine Harris, author of the Sookie Stackhouse/Southern Vampire Mysteries (recently reincarnated as HBO’s True Blood), talks with Barbara Peters of the Poisoned Pen Press and Bookstore for her interview series “The Criminal Calendar.” See the first of six YouTube installments here. Harris, like her most famous heroine, offers a mix of canny intuition and folksy charm. Asked about the bisexuality of one very old vampire in “the Sookie-verse” she answers Peters, “I figure if you live that long, you might as well diversify. Wouldn’t you get bored, you would think–you’d be willing to try anything if you live that long.”
“Symptoms included a frenzy for culling and hunting down first editions, rare copies, books of certain sizes or printed on specific paper.” Lauren Young writes in Atlas Obscura about the phenomenon of bibliomania, “a dark pseudo-psychological illness” that afflicted upper-class victims in Europe and England during the 1800s. And for a first-hand account of more contemporary book theft, read John Brandon on his high school pastime: “The first time was nerve-racking, a rush, but by the third book I was already settling in.”
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
What are those crazy kids from Vampire Weekend saying in their new single, “Cousins”? It’s a little disappointing, as the beleaguered translators of lyrics at We Listen For You reveal.
“According to David Means and his debut novel, Hystopia, [classic war novels] aren’t simply about confronting the horrors of war, but also about concealing them, hiding them under a layer of rationalizations and wishful thinking that often simplifies their lawless anarchy and finds sense, meaning and purpose where there’s little.” Over at Electric Lit, Simon Chandler reviews David Means’s Hystopia.