Laughing with Shakespeare
From Wharton to Woolf
Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
“Republics of Imagination”
Our love of The Atlantic‘s By Heart series continues with Azar Nafisi‘s contribution to the series: an essay on reading James Baldwin, the importance of literature to democracy, and how ultimately “we need literature to remind us how like each other we are, despite our differences.” Pair with Justin Campbell‘s Millions essay on race, fatherhood and reading Baldwin.
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Minister of Defense and Propaganda of the New Cinema
Recommended Reading: On the the anticriticism of Jonas Mekas, the “raving maniac of the cinema,” courtesy of The Paris Review.
More Marginalia
Sam Anderson’s brilliant Year in Marginalia inspires MobyLives to announce the “Melville House Marginalia Contest.”
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Goodbye to Naples
Recommended Reading: Year in Reading alumna Elissa Schappell interviews Elena Ferrante about feminism, friendship, and her latest Neapolitan novel. Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
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Belle Epoque
In the annals of Southern literature, Elizabeth Spencer isn’t as well-known as Faulkner or Flannery O’Connor, but she is, Wilton Barnhardt writes, “one of America’s best short-story writers.” The 92-year-old author’s new collection marks “65 years and counting of superb writing,” he argues.
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