“excited to get over you by being obsessed with somebody who doesn’t want me.” Poetic Twitter accounts are all the rage. Over at The New Yorker, Haley Mlotek takes an in-depth look at one account in particular that is toeing the line between dark humor and debilitating sadness, @SoSadToday.
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. “As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood,” writes the Los Angeles Times. Pair with Jason Arthur‘s essay on novels about work.
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.
Ahead of its mid August movie debut Kevin Kwan talks about the real life inspiration behind his Crazy Rich Asian trilogy. “But the people who know me, who have read the books, and who are also in that world in Singapore, Hong Kong, and other parts of Asia, don’t get it.” Refinery29 has more.
“Every one of these books is a herd of animals.” The Atlantic reports that a group of archaeologists and geneticists in the UK have used mere crumbs of parchment to study the DNA of several thousand-year-old illuminated manuscripts, the pages of which were made of cow and sheep skins.
Following the example of Flaubert, whose Dictionary of Received Ideas compiled the clichés of its day, Teju Cole set out on Monday to record his own clichés on Twitter. At Page-Turner, he sums up his experiment in a blog post. (You may recall that this is not the first time Cole has won acclaim for his Twitter account.)