Patrick Bateman as internet troll? I could see it. Bret Easton Ellis, author of American Psycho, stopped by Town and Country to muse over how an early-twentieth century Patrick Bateman might behave a bit differently: “I check in with Patrick every now and then—as with this article you’re reading—but he has been living his own life for some time now, and I rarely feel as if I have guardianship over him, or any right to tell him where he would or would not be today, decades after his birth.”
It’s good to see James Wood covering Richard Price in The New Yorker; and even better to hear Price himself on Fresh Air.And also from The New Yorker, may we recommend Dan Chiasson’s wonderful essay on Frank O’Hara?Luc Sante’s blog pretty much has to be good.Derek, the guy who got both Max and Garth started blogging in the first place, is taking part in a big group blog at the Washington Post covering the Nationals baseball team and its new stadium.With features like this reconsideration of The Gnostic Gospels, the New York Sun is quietly building what may be the country’s best books section.”Growing Up Radical: An Interview with Peter Carey” (via scott)”On Magic Feelism” – n+1 considers Kevin Brockmeier’s The View from the Seventh LayerBoris Kachka profiles Jhumpa Lahiri in New YorkSurreal: “Garfield” minus Garfield. Alternatively, “Garfield” without Garfield’s thought bubbles.Nobody knows if the Kindle is a hit, AP says, but something is happening.A book graveyard in Russia.Languagehat’s specialty: a thoroughly edifying investigation of a phrase pulled out of thin air.American Book Review has developed their own lists of 100 Best Last Lines from Novels (PDF) and 100 Best First Lines from NovelsThe Boston Globe argues that Bringing Down the House, the basis for the new movie 21, is not a work of nonfiction.
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
Writers John Keene, Dawn Martin Lundy, and others respond to the mass shooting in Orlando. “Homophobia, transphobia, and ideologically-nurtured hatreds of all kinds, coupled with semi-automatic weapons, provide the fuel for terror, in this case literally,” says Keene.
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
Charles Petersen traces the fascinating history of the New York Public Library to show the real cost of the planned renovations and the pitfalls of the inevitable digital libraries of the future. Mark Athitakis observes how archives flatten fictions with keywording.