Elena Ferrante will be publishing a children’s book, The Beach at Night, this December. Revisit our own Jacob Lambert’s series on whether or not picture books are leading our children astray to prepare for the release.
After five years, Lev Grossman has released the final book in his Magicians trilogy, aptly reviewed in the Sunday Times by our own Edan Lepucki. At Slate, the Awl cofounder, Year in Reading alum and novelist Choire Sicha looks back on the series as a whole. After reading through all three entries, Choire poses a simple but hard-to-answer question: is main character Quentin truly the central figure of the books? It might also be a good time to read our interview with Grossman.
If you're in NYC this coming Sunday, come out to KGB Bar and meet some Millionaires Millions staffers. Emily St. John Mandel, Michael Bourne, Garth Risk Halberg, and Sonya Chung will all be reading. Our editor in chief, C. Max Magee, and other friends and staffers will be there too, so if you're able why not come out and put faces to names, say hi, have a drink, and help us make a little merriment.
"The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction." James Wood reviews Hermione Lee's new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin's Millions essay on the new age of biography.
"There is one rule [to writing biography] that all who try their hand at it come to know: until the protagonist reveals his or her character—his or her inner self—what the biographer produces is less a life than a report, an autopsy rather than the record of a séance." David Levering Lewis writes for The American Scholar about biography and writing "the lives of African-American figures, and [finding] in them the story of our times."