Recommended Reading: A short story collection by an anonymous North Korean author was smuggled out of the country and will be published in English next year.
Dispatch from North Korea
Some Notes on Sexism and Reviews
Breaking Up with God author Sarah Sentilles responds to some of her memoir’s critics. “Reviewers’ words about my book,” she writes, “demonstrate how sexism shapes responses to women’s writing, in particular women’s writing about God.”
The Neverending MFA Debate
“Writers teach, not writing per se, but how to engage in writing as a process and a means of perception. The actual work of writing is seldom sublime. It’s a struggle that grows more difficult if we avoid it. Writing is often excruciatingly slow and repetitive. Time, in slipping and sliding, makes itself felt and immediate. Words are the way in, but nothing is guaranteed. What writers or readers can do with language, or understand inside it, depends on what they know—on refining their sensibilities, on writing, revising, waiting, reading, writing, as though living in language were life and death.” Year in Reading alumna Jayne Anne Phillips writes for the Literary Hub about the importance of writing programs. For more on the debate, check out Hannah Gersen’s Millions essay.
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A resolution
On the relative statuses of literary, mainstream, and genre fiction: a resolution. (From Stephanie Anderson, manager of WORD in Brooklyn.)
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World of Redundant Forms
Recommended Reading: Over at Electric Literature, Lori Huth writes about Jeanette Winterson and contemporary war metaphor: “I wanted to feel powerful emotions commensurate with the horror of the story behind the images. I wanted to feel bewildered, and to lament, but instead I felt numb.”
“I don’t want kids, but there’s nothing else to do.”
You can take a sneak peek at The French Exit author Elisa Gabbert’s forthcoming book of poetry, which is due out from Black Ocean this year.
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