“Dickinson wasn’t a madwoman, but she was maddened with rage—against a culture that had no place for a woman with her own fiercely independent mind and will.” On Emily Dickinson’s self-creation at Lit Hub. Pair with a piece on Paul Legault’s English-to-English translations of Dickinson’s poems.
Lord of the Flies is perhaps the best example of a book that forces readers to confront how wild we are. But there’s a whole corpus of books that accomplish the same thing. In The New Statesman, Erica Wagner writes about Melissa Harrison’s At Hawthorn Time and Sarah Hall’s The Wolf Border.
"American television has been a juvenile medium for most of its existence," David Simon tells Salon. This defense of 'Treme' was published three days after David Thier called the show "deeply boring" in The Atlantic. "There is nothing New Orleans loves so much as New Orleans" Thier says, "but the show can't get past the desire to be authentic." Sarah Broom, during last May's PEN World Voices Festival, said "this 'love of place' is really just from people who are stuck in a lots of ways." But hey, at least the show's attention to detail is admirable.
As an appetizer, consider Rick Poyner’s take on the work of Pierre Faucheux, a book designer Richard Hollis called “the single most important figure in French graphic design after Cassandre.” For the main course, check out this incredible Book Cover Archive edited and maintained by Ben Pieratt and Eric Jacobsen. Finally, as dessert, nominate your favorite book designs from 2011 for Design Observer’s “50 Books/50 Covers” contest.