Jonathan Lee, whose novel High Dive was published this week, writes about the “deep disquiet” of finishing your book. “There are lots of books on how to write, and lots of books on how to publish, but I’ve spent the last few weeks looking for a book with a title like How To Get Through The Period Between Finishing A Book and Seeing It In A Bookstore Without Losing Your Entire Grip on Reality. I have failed to find it.”
Deep Disquiet
For Franzen Haters
Do you hate Jonathan Franzen (and/or contemporary literature generally)? Then you’ll love B.R. Myers‘ take on him at The Atlantic.
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Ramsquaddled and Pixellated
Are you familiar with the term, “clatterdevengeance”? It’s the favorite word of Jonathon Green, purveyor of the internet’s newest dirty slang dictionary, which seeks to document some of the more hilarious (and uncouth) experiments in the English language.
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The Best of the VQR
If you read my Year In Reading, and if you’re a really impulsive person, you probably already subscribed to The Virginia Quarterly Review. However if you needed more than just my testimonial in order to open up your wallet, perhaps their official list of “The Best Writing in VQR in 2012” will sway you.
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Smells Like Teen Dispirit
“I saw it as a breath of fresh dark honest night air. I could live in my grief and be weird in my grief.” A.N. Devers writes about her love of Twin Peaks for Longreads, situating the show within her contemporary experiences of losing her grandparents and her girlhood.
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Where Every Novel Takes Place
Electric Literature has posted a “Map of the City Where Every Novel Takes Place,” so now you can know exactly how to get from Middlemarch to The Jungle Book via Jurassic Park.
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Russian Love Stories; Russian Persecution
Masha Gessen has been busy of late. Within months of publishing her investigative look at the charges for Russian punk band, Pussy Riot, Gessen has also co-edited a book entitled Gay Propaganda: Russian Love Stories. Over at The Independent, you can check out a review of the two projects, and over at Guernica, you can read an interview in which Gessen discusses both works.
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Tell Us a Story
Why do the British tell the best children’s stories? Perhaps because their culture has remained in touch with its pagan folklore, whereas in the United States, more pragmatic tales of morality, Christian obedience, and bootstrap-lifting rose to prominence. Also, picture books: general good thing for children or roadmap to total the moral collapse of society?
“How To Get Through The Period Between Finishing A Book and Seeing It In A Bookstore Without Losing Your Entire Grip on Reality.”
–Isn’t that the “marketing” phase?
And some things just aren’t big enough to fill out a book:http://www.magnoliamedianetwork.com/waiting-for-book-to-be-published/