Jonathan Lee, whose novel High Dive was published this week, writes about the “deep disquiet” of finishing your book. “There are lots of books on how to write, and lots of books on how to publish, but I’ve spent the last few weeks looking for a book with a title like How To Get Through The Period Between Finishing A Book and Seeing It In A Bookstore Without Losing Your Entire Grip on Reality. I have failed to find it.”
Even though Harper Lee hasn’t given an interview in 50 years, her letters are an insight into the notoriously reclusive writer.”I simply don’t give interviews, because it takes great skill to ask meaningful questions and very few people in the media have it,” she wrote in a 2005 letter. Two of Lee’s letters will be auctioned today and are expected to go for at least $2,500 a piece. Pair with: Our essay on reclusive authors.
The Millions is excited to be a founding member of a new ad venture called The Staff Recommends, John Warner and Andrew Womack, both of whom are associated with The Morning News and its wonderful Tournament of Books are behind the effort. The Staff Recommends is unique in that it only features books that “pass muster” with Warner, the venture’s editor and ombudsman. The first selection can be seen at the end of our “Recent Articles” section on The Millions front page and also in the sidebar on article pages. Enjoy!
“The Dares. We’d been at them all summer: making each other do stuff, alone or together, just for the fun of it. Girls like us, with high GPAs and not a single boy looking our way, needed a little danger to get us through the summer.” Our own Edan Lepucki has a short story, “Ambulance of Boys,” on Storychord.com.
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
The CIA might just be America’s most literary government agency, no? Not only did they (maybe) help fund the early days of The Paris Review but, according to Eric Bennett, the group also funded the nation’s most prestigious and storied creative writing program. Over on Iowa Public Radio, you can hear some details.
It was probably inevitable that someone would turn the ravings of Charlie Sheen into found poetry. But unlike similar collections “by” Donald Rumsfeld and Rod Blagojevich, this one offers us the opportunity to compare it to the real thing – Sheen’s early ’90s chef d’oeuvre, A Peace of My Mind.