“If Gwendolyn Brooks wrote fiction, we’d say she was brilliant at world-building–but the world she builds is the real one, the part that didn’t used to make it into the pages of literary magazines.” On the continued relevance of Brooks’s poetry in the context of racial violence in Chicago. Pair with a piece on the power of reading poetry aloud.
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
Leveling the kind of accusation that perhaps only such an esteemed writer can, Jonathan Franzen intimates that David Foster Wallace‘s nonfiction (such as “Shipping Out“) wasn’t exactly honest.
How do you spell t-r-a-c-t-i-o-n? Our recent stories about the spreading Occupy Wall Street protests seem to be part of a trend. The Pew Research Center’s Project for Excellence in Journalism reports that the protests accounted for only 7% of coverage in all news media nationwide in the past week — but that’s a four-fold increase from the week before.
“The last two years have given long overdue visibility to trans / non-binary realities, pushing us to re-imagine what centering the margins truly means. Being intentional, though, is more than a special issue of a literary journal for the ‘marginalized;’ it’s about creating a space for folk to curate, create, and declare their own bodies: of work, of resistance, of survival.” Editor Jayy Dodd introduces the new issue of The Offing, devoted to trans and non-binary artists. Pair with our own Sonya Chung’s piece on literary activism.
In an effort to diversify the comics industry, Marvel’s latest superhero isn’t another white man in a cape but a teenage Muslim girl living in Jersey City. Kamala Khan, alias Ms. Marvel, can change shape and will fight villains and her parents’ expectations when the series debuts in February. Pair with: Matt Madden’s history of American comics in six panels.