“The problem, however, lies in the fact that, whenever these labels are internalized by those in positions of power, they flatten a writer’s experiences. They shrink someone to just a sliver of his or her identity.” On the limited opportunities for writers of color.
Beware of the Gatekeepers
Chandra on Hemingway
It’s no secret we enjoy and highly recommend The Atlantic‘s By Heart series, and Vikram Chandra‘s essay on reading Hemingway is no exception. Pair with Jonathan Goldman‘s review of a modern edition of The Sun Also Rises.
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The Wind-Up You Chroncile
Do you love old jazz? Are you nostalgic? Did your wife mysteriously disappear? Then you might be in a Haruki Murakami novel. At The Toast, Alice Lee gives criteria to determine whether you’re part of Murakami’s fictional universe.
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Too Dark for TV
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
What’s a Night with William Blake Worth?
William Blake’s cottage in Felpham, England is on the market for $970,000. Since Blake only lived in the place for three years, that means a single night of Blake’s time could be valued at about $885.
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Empathy for the Devil?
Ruth Franklin of TNR probes the weaknesses of American novels about terrorism.
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The Klingon Word for Spoon is “baghneQ”
Lapham’s Quarterly has a new podcast about “the weird world of invented languages” such as Klingon, Dothraki, and Esperanto.
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