Anyone heading to Los Angeles for AWP might first want to check out this handy AWP Advice from a Young Curmudgeon. Some tips include not propositioning Maggie Nelson with temporary tattoos and the promise of a Scandinavian vacation.
You may have heard that Haruki Murakami has a new book on shelves. Woody Brown reviewed it for The Millions last week. Over at Electric Lit, Lincoln Michel invites us to play Murakami Bingo, created by Grant Snider, once again. It might also be a good time to read Ben Dooley on 1Q84.
Heads up! Fantasy Magazine is looking for submissions for their special issue, “People of Colo(u)r Destroy Fantasy.” Per the guidelines: “We’re looking for original, unpublished fantasy stories of up to 7500 words written by People of Colo(u)r. The stories can be set in this world with fantastical elements or they can take place in another world entirely. Please avoid timeworn cliches like the White Savior, the Magical Negro, and the Woman Who Is Only A Sex Object.”
VIDA, an organization that promotes gender parity in the literary arts, has tallied up the 2011 bylines and book reviews from some of the bigger magazines . Granta was the only publication to achieve parity, but they did have an issue devoted entirely to feminism, so that may be skewing the numbers. The Atlantic, The London Review of Books, and Harper’s are not making the cut. While institutionalized misogyny in any profession presents a problem, gender quotas are probably not the answer.
Photographers who are tired of weddings should start shooting book covers. When New Directions asked to use one of Allen Frame’s photos for the cover of Robert Bolaño’s Last Evenings on Earth, he gave them access to his archive instead. Today, nine Frame photos have been used on Bolaño book covers. You can view them here or at New York City’s Gitterman Gallery.
“Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper.” Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.