Erica Baum uses found language and blackboards as her canvases. “Looking closely at Baum’s work to intuit such realities is both challenging and rewarding like reading a good book.”
“The magical aspect of poetry does not diminish the value of critical scrutiny. Scholarship has clarified the meaning of poetry. The point is rather that an essential part of poetry’s power has little connection to conceptual understanding. Poetry proffers some mysteries that lie beyond paraphrase.” Dana Gioia with a beautiful essay on the enchantment of poetry for The Dark Horse. Check out our extensive On Poetry archive and continue your journey of poetic enchantment.
“I have often thought that if I were ever a drag queen, and more specifically that if I were ever a drag queen who was a contestant on RuPaul’s Drag Race, I would play Virginia Woolf — or rather, Nicole Kidman as Virginia Woolf — in the Snatch Game episode when the contestants don their very best celebrity impersonation.” Untucking RuPaul’s Drag Race at The Los Angeles Review of Books.
Sometimes, a writer needs to live in the setting of his or her fiction, as was the case with William Faulkner, who famously took a train from Hollywood to Mississippi solely to break through his writer’s block. Other times, they need to move away to find the inspiration to write about their home. In The Globe and Mail, Marsha Lederman writes about Emma Hooper, who credits her move to England with helping her write a novel set in her native Saskatchewan.
“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.