Recommended Listening: Mary Doty, Linda Gregerson, and Jane Hirshfield discuss the history and nature of the lyric poem. Pair with Andrew Kay’s Millions essay on the power of poetry.
An American Lyric
On Book Reviews
Kyle Minor (In the Devil's Territory) has written a delightful list of "Five Hazards of the Book Review Biz" for HTMLGiant.
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Considering the Bittersweet End of Susan Falls
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Cormac McCarthy’s Typewriter
On Friday, Christie's will be auctioning off Cormac McCarthy's Olivetti manual typewriter, which he's had since 1963. Looks like you need to make sure you've got at least $15,000 in your checking account if you plan on bidding. (NY Times article here)
The Discreet Charm of the Bourgeoisie
"‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience...Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke."
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A to the Future
We take it for granted that our language will grow and change. But one thing we think less often about is that our alphabet is subject to the same forces. Herewith, Carlos Lozada reads Michael Rosen’s new book Alphabetical, which delves into the origins and future prospects of our writing system.
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It Doesn’t End on Tuesday, Either
Yesterday was Fat Tuesday down in New Orleans, and if you missed the action down there, you can certainly get a taste of the local flavor by reading Rick Bragg's 1997 piece in The New York Times, "New Orleans Doesn't Wait for Friday." (via)
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“It will not be simple, it will not take long”
Poet and essayist Adrienne Rich passed way this afternoon at the age of 82, the LA Times confirms. Her influence on writing and activism is immeasurable, and this is a sad day of all of literature. The Poetry Foundation's short biography of the poet is not to be missed, and nor are her poems "Final Notions," and "For the Dead."
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