Recommended Listening: Mary Doty, Linda Gregerson, and Jane Hirshfield discuss the history and nature of the lyric poem. Pair with Andrew Kay’s Millions essay on the power of poetry.
An American Lyric
Tuesday New Release Day: Martin, Pollock, Spiotta, Ball, Weiner, Peach, Goodman
New this week is George R.R. Martin’s latest Song of Ice and Fire installment, A Dance with Dragons. Also hitting shelves: Donald Ray Pollock’s The Devil All the Time and Dana Spiotta’s Stone Arabia (Don’t miss our preview with tons more upcoming books.) Jesse Ball, whose The Curfew has just come out, also has a new collection, The Village on Horseback. Jennifer Weiner’s new book, Then Came You, is out, as is the first issue of McSweeney’s new food magazine, Lucky Peach. Out in paperback: Allegra Goodman’s The Cookbook Collector.
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Ice Cream Etc.
Recommended Reading: Chris Powers on the short fiction of John Updike. Pair with James Santel on Updike’s Collected Stories.
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Japanese E-Book Aversion
It’s hard to believe that a country with video games like this would be slow to adopt a new technology, but a recent survey indicates that Japanese people are not keen on e-books.
BLOOM Seeks Social Media Intern and Editorial Assistant
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For the Squares
“To use the lingo of their era, these novels are square. The protagonists have names like Jane and Barbara; they are not the misfits of which much teen literature is made but instead fundamentally good girls who long to fit in, and usually do … Viewed through the lens of contemporary culture, and especially contemporary teen lit, these girls should be boring and shallow. But Beverly Cleary’s supposedly ordinary girls are complex: resentful of their mothers one moment and sympathetic toward them the next, willing to do anything for one special boy but indignant when they’re taken for granted.” On the unexpectedly complex nature of Beverly Cleary’s boring protagonists with Ruth Graham at Slate.
Alyssa Cole on Leaning Into Anxiety
Alyssa Cole discusses her new book, When No One Is Watching, and the difference between writing romances and thrillers.
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