Recommended Reading: The always hilarious (and very Southern) David Sedaris on shopping in Tokyo and “the perfect fit.”
The London Review of Books sought out Will Self to help create “a digital literary work that pushed the boundaries of the literary essay well beyond its traditional form.” The effort, they hoped, would “loosen and enhance the structure of the essay, changing the way the reader interacts with the text.” Well, consider that a success. Behold, “Kafka’s Wound” in all its multimedia glory. [Bonus: Millions readers in the UK can catch Will Self's discussion of the digital essay on September 6th.]
Superagent Andrew ("The Jackal") Wylie disses the e-book and modern publishing's "wild weekend in Las Vegas approach" to book acquisition in the Wall Street Journal Magazine. But the best part is an online slide show depicting Wylie's journey from a wild-eyed hippie cabbie in 1971 to the uberwasp wheeler-dealer that he is today.
The essay is more popular than ever. At Salon, Michele Filgate talks to Leslie Jamison (author of The Empathy Exams, here's our review) and Roxane Gay (author of the forthcoming Bad Feminist) about the power of the genre. Gay believes our interest in essays is because of a "cultural preoccupation with the exposure of the self." They also discuss if we're in a golden age of women essayists. "Sometimes when men write about private feeling, it’s seen as exploratory or daring, and when women write about private feeling it’s seen as limited or in the vein of a kind of circumscribed emotional writing," Jamison says.
"denial. A defense mechanism predicated on your inability to accept the painful reality that you are supposed to be reading the selected novel that you literally tried to bury." At The Toast, Zane Shetler writes a glossary of book club defense mechanisms. Pair with: Our essay on spying on your book club friends.