Recommended Reading: Ursula Lindsey of The Nation takes a trip to Cairo, where many of the Egyptian capital’s artists and writers are being forced to find a way out due to government crackdowns.
The Facebook IPO was this week’s biggest story. The social media giant, which boasts 800 million members, is seeking a $75-$100 billion market valuation. But hold your horses, investors. A lot of that optimism could be empty hype. After all, look at the site’s requested valuation as a percentage of its 2011 revenue, and compare it to other tech giants like Google and Microsoft. Also, contrary to Mark Zuckerberg’s claim, most of the world does not, in fact, “have access to the internet or mobile phones.”
Now this would be a strange way for an obscure book to become an overnight bestseller. Among The Smoking Gun’s photos of the Tiger Woods crash scene is a shot of a book called Get a Grip on Physics by John Gribbin lying amid the broken glass. Maybe brushing up on physics can help your golf game.
Flavorwire has compiled a list of the best literary criticism of the year, ranging from Rebecca Solnit on Lolita to Elena Ferrante on literary publicity. Also check out this year’s most notable Millions pieces, from our star-studded Year in Reading to a literary reader for Lent.
Anthony Domestico, who studied under James Wood at Harvard, turns in a review of the critic’s latest non-fiction collection, The Fun Stuff. Aside from penning an astute review of the book, Domestico draws from his firsthand experience with Wood to pepper his write-up with details such as this: “While puzzling over a complex passage, he would vigorously rub the top of his head, as if hoping to coax interpretive brilliance from his bald spot like a genie from a lamp.” (Bonus: our own Lydia Kiesling takes a look at Wood’s latest for Bullet Media.)
Canonical literature isn’t the only way to learn about America. The bestseller list can be equally as telling. Matthew Kahn is reading 100 years of No. 1 bestsellers from 1913 to 2013. He blogs about the books and discusses the project in an interview with Salon’s Laura Miller. When Miller asks what makes a bestseller, he claims, “A lot of it is just a matter of accessibility. A focus on plot and character rather than structure and the prose itself.”