Recommended Reading: On the recent terrorist attacks in Ankara, and longing for home.
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”
Nikil Saval isn’t the only n +1 editor with a new book out. Through his magazine’s publishing arm, cofounder Benjamin Kunkel is releasing a play, Buzz, which comes on the heels of last month’s Utopia or Bust. At Full Stop, William Harris reviews Buzz, calling it “the type of play that propels itself by introducing the indefinite edges of a mystery.” It may also be a good time to read Kunkel’s Year in Reading entry.
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
Paul Auster is still getting mileage out of a short story that appeared in the New York Times on Christmas day 1990. “Auggie Wren’s Christmas Story” was subsequently released as a limited edition book illustrated by Brian Cronin. The story became the inspiration for the films Smoke and Blue in the Face. Now, Henry Holt is releasing another edition of the story. This time the book is illustrated by an Argentinean artist named, cryptically, ISOL. Here’s the story if you want to read it.The London Review of Books is celebrating its 25th anniversary, and to mark the occasion, the Guardian sits down with LRB editor, Mary-Kay Wilmers.The CS Monitor continues to provide its capsule reviews of the National Book Award nominees. Here are the reviews for the young adult category.