Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.
Did your MFA program offer impractical courses like “Problems in Modern Fiction”? At the Ploughshares blog, Rebecca Makkai offers some suggestions for more useful classes, such as “Introduction to Despair,” “Pretending You’re Talking to Terry Gross When You’re Alone in the Car,” and “The Art of the Flirty Author Photo Grimace.” Pair with: Our interview with Makkai.
After more than sixty years, Antonio di Benedetto has had his book Zama finally translated into English. The novel, which kicks off in the 1790s, depicts a Spanish administrator named Don Diego de Zama, whose viceroy dispatches him to a town in the scrublands of Paraguay. In the latest New Yorker, Benjamin Kunkel gives his take.
Michael Kimball wants to save you $50,000 dollars on an MFA – by sharing what’s he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains “The Value of Writing Programs: On Why I Don’t Have an MFA.”
The Washington Post interviews four Young Adult authors whose books go beyond coming out stories, these authors want queer love stories to be mainstream. Their books range from contemporary to historical to fantasy. “As authors get more comfortable exploring LGBT storylines, the coming-out tale isn’t disappearing. ‘I think we’ll always need for the foreseeable future both types of stories,” Silvera added. “While I’ve been so happy being able to live an out life, I think a lot about teens who aren’t able to be out right now and I want to write for them.’ Slipping back in time to write for teenagers gives authors the opportunity to explore first love again.” Take a look and consider adding these to your reading list.
Our review of A Widow’s Story took Joyce Carol Oates to task for not mentioning that she had remarried not long after the death of her husband. In the New York Review of Books, Julian Barnes recently made the same point. Responding to the Barnes review, Oates defended her choice, but diplomatically added, “In retrospect I can see that I should have added something like an appendix.”