Mairead Small Staid writes on the history and poetics of the ampersand, “a logogram masquerading as a letter, a letter that is also a word—like a and I and even o, but no—a letter that is only a word, the plainest word of all.”
Words & Symbols
Sorkin Takes on Steve Jobs
The Social Network writer Aaron Sorkin has signed on to adapt a biopic about Steve Jobs (not to be confused with the Ashton Kutcher one) which will be based on Walter Isaacson’s biography of the same name. Meanwhile, as the news was announced, Sorkin gave a memorable commencement address at Syracuse University.
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LARB talks TNI
Rachel Rosenfelt, Editor in Chief of The New Inquiry, gets interviewed by Evan Kindley, Managing Editor of the Los Angeles Review of Books. In their conversation, Rosenfelt reveals that TNI's prevailing editorial principle is: "Is this boring? Is this safe? If the answer is yes, then it’s not for us."
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“Back then, in 1992, it was Billy”
Recommended Reading: “Billy” by Sarah Braunstein.
Quoi?
French-Canadian writers are in an odd place when it comes to Canadian literature. By the official definition of CanLit, they’re part of the canon, yet because of the Quebecois language barrier, they maintain a certain distance from the literature of English Canada. At Page-Turner, Pasha Malla writes about their odd identity. You could also read Andrew Saikali on Canadian novellas.
A Short History of the Executioner
In her short history of executioners, Stassa Edwards notes that the decision to replace “the traditional punishment” of drowning people “in a sack in a local river” was actually quite pragmatic: it was “more economical” to go with a simple beheading.
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The New Monsters
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