Mairead Small Staid writes on the history and poetics of the ampersand, “a logogram masquerading as a letter, a letter that is also a word—like a and I and even o, but no—a letter that is only a word, the plainest word of all.”
Words & Symbols
The Last Train from Hiroshima
Henry Holt & Company stopped printing and selling Charles Pellegrino‘s The Last Train From Hiroshima last week, following allegations of fraudulent sources and fabrication in the work. The New York Times examines the debacle: “If book publishers are supposed to be the gatekeepers,” novelist and Studio 360 host Kurt Anderson asks, “tell me exactly what they’re closing the gate to.”
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Hilary Mantel’s Torment and Joy
In her Shelf Awareness interview, Hilary Mantel admits that Wolf Hall, her recently released Bring Up the Bodies, and the trilogy’s forthcoming conclusion were originally conceived to be one book. That they kept expanding, she says, is “the torment and joy of writing fiction.” Meanwhile, over at The Daily Beast, the English author rounds up her five favorite historical fictions.
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Clancy Martin, Sans Pants
How to Sell author Clancy Martin, drawing on his previous career as a jeweler, kicks off a three-parter at the Paris Review blog about how a potential jewelry deal took him to New Orleans and he ended up out on the street, wearing a bath towel and a blazer.
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Asian American Literary Review Launch Party
The Asian American Literary Review is releasing their Special Issue Commemorating the 10th Anniversary of September 11 with a launch party this Friday at 7pm in downtown New York at Alwan for the Arts. The 350-page(!) issue has interviews, essays, and first person testimony on 9/11 by South/Asian and Arab American contributors — including Kazim Ali, Amitava Kumar, and Khin Mai Aung from AALDEF (the Asian American Legal Defense and Education Fund) — several of whom should be at the launch.
Through the Pain
Recommended Reading: Cristina Fries on Excavation by Wendy Ortiz. (h/t The Rumpus)
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Caleb Azuma Nelson Wants Readers to Get Vulnerable
Caleb Azuma Nelson discusses his debut novel, Open Water, and the role its second person narrator plays in drawing out readers' vulnerability.
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