Mairead Small Staid writes on the history and poetics of the ampersand, “a logogram masquerading as a letter, a letter that is also a word—like a and I and even o, but no—a letter that is only a word, the plainest word of all.”
Leading Beatles historian Mark Lewisohn has been working on a three-volume biography of the Liverpool band for almost a decade. Tentatively titled The Beatles: The Complete Story, the first installment was due for a publication date this year. Unfortunately, Volume One, which tracks the group from the beginning through December 1962, has hit yet another delay, and fans likely won’t see it until 2013. As Lewisohn says, the accuracy takes time, and “the whole ethos of the project is ‘do the job properly’.” Lewisohn’s last work was the 2006 Complete Beatles Recording Sessions.
“After years of reading, teaching, and writing about the book, though, I’ve come to believe that… our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book.” Andrew Levy writes for Salon about childhood, race, and “dedicated amnesia” in Mark Twain‘s controversial classic.
“Joy and wonder. That’s at the heart of what I love about the natural world. If you’re receptive to it, it does something to human minds that nothing else can do.” Electric Literature talks with Helen MacDonald about living with, and like, a goshawk. Pair with Madeleine Larue‘s Millions review of MacDonald’s H is for Hawk.
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.
While calling for the preservation of the wonderful St. Marks Bookshop, Paris Review editor Lorin Stein explains that “magazines like The Paris Review need good bookstores, where the staff knows how to spread the word about good writing, face to face, hand to hand.”