“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
What Is It Good For?
“I don’t want kids, but there’s nothing else to do.”
You can take a sneak peek at The French Exit author Elisa Gabbert’s forthcoming book of poetry, which is due out from Black Ocean this year.
It & Co.
For The Brooklyn Rail, John Ashbery answers some questions about writing in French, crushes on boys, and the presence of “it.” As he puts it, “I’m sort of notorious for my use of the pronoun 'it' without explaining what it means, which somehow never seemed a problem to me.”
“I feel very honoured, even if I can’t help thinking I must be a fraud”
If Nicholas Wroe’s profile of Javier Marías doesn’t get you excited to read the Spanish novelist’s work, then maybe Hari Kunzru’s Year In Reading entry from this past year will do the trick.
“On Stage as On Paper”
There's just something about David Foster Wallace's writing that makes people want to adapt it. We've written about this phenomenon before - there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace's work doesn't seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I'll Never Do Again, which both Salon and Hyperallergic reviewed.
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