“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
“Where is the black version of Caddie Woodlawn (a 19th-century Wisconsin tomboy) or Harriet the Spy (a 20th-century Upper East Sider), smart, spunky, fictional heroines for the tween crowd?” Victoria Bond and T.R. Simon fictionalize beloved Harlem Renaissance writer Zora Neale Hurston as a girl detective in Zora and Me.
Though excellent fiction has been staged in restaurants (Richard Russo’s Empire Falls comes to mind, as well as YA novel Hope was Here), I have to admit Rebecca Makkai at Ploughshares has a point that dining-in-public scenes are getting a bit old. “All the unfolding of napkins and poking at the French fries… it’s filler.”