Recommended Reading: Je Banach on what literary discourse offers in an age of extremism. For Banach, literary discourse is “the language of our future because it is the language of confronting that which is foreign to us.”
Seeing as yesterday was Donald Barthelme’s birthday, it’s as good a time as any to remember the short fiction icon. At Brain Pickings, Maria Popova reads Barthelme’s essay “Not-Knowing,” which you can find in the author’s collection of essays and interviews. Sample quote: “Art is not difficult because it wishes to be difficult, but because it wishes to be art.”
“For a while, shortly after I finished an undergraduate creative writing course, everything I wrote started with an observation or a realization…I was going to be an essayist, and it was going to be awesome.” At The Morning News, Martin Connelly writes about how he lost his drive to become an essayist and the surprising thing that makes him want to start again — his daughter. For more on the power of the essay, read our interview with Leslie Jamison.
Penny Perkins interviews Sons and Daughters of Ease and Plenty author Ramona Ausubel at The Rumpus. “I realized that this book I was writing about money had to be about race and it had to be about class and it had to be about privilege, and which of those things we are able to see and which we are blind to.” Pair with Ausubel’s writing at The Millions.
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?