Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
“They might underline a page number, draw a little star on the last page, or write their first initial somewhere in the book.” A librarian in Scotland discovered a secret code used by elderly patrons to track which books they already read. From our archives: an essay on the importance of libraries and how they can stay relevant.
“Our culture has focused so much attention on the most visible members of the Black Panthers that it has been easy to forget it was a nationwide organization — an entity that needed to attract ordinary people who believed in something and were also willing to work for it.” In the Times, Rembert Browne reviews two new books about the Black Power movement.
Out this week: Trigger Warning by Neil Gaiman; There’s Something I Want You to Do by Charles Baxter; Bon Appétempt by Amelia Morris; The Nightingale by Kristin Hannah; The Kind Worth Killing by Peter Swanson; The Marauders by Tom Cooper; We Are Pirates by Daniel Handler; A History of Loneliness by John Boyne; Holy Cow by The X-Files star David Duchovny; and Get in Trouble by Kelly Link. For more on these and other new titles, check out our Great 2015 Book Preview.
How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.