“Grim was the world and grey last night / The moon and stars were fled.” It looks like even J.R.R. Tolkien might have been a an angsty teen. Two previously unseen poems by the legendary author have been found in a forgotten annual printed by a small primary school in Abingdon, Oxfordshire, in 1936. For another Tolkien-related blast from the past, here is W.H. Auden’s review of The Return of the King, book three of the Lord of the Rings series.
The Return of the (Poet) King
Picture Perfect
We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
Brooklyn Was Mine
Paula Fox‘s ostensible review of L.J. Davis‘ A Meaningful Life in the current New York Review of Books is really (pace N1BR) a transporting memoir of Brooklyn in the ’70s.
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Motherless Brooklyn on Screen
Edward Norton has wanted to adapt Jonathan Lethem’s Motherless Brooklyn since it came out, but finding financing was almost as difficult as solving Frank Minna’s murder. Now, Brett Ratner has agreed to fund the film with Norton directing and starring as Lionel Essrog.
What They Share
At The Rumpus, our own Nick Ripatrazone writes about his twin daughters, Amelia and Olivia, who taught him that, when it comes to twins, “there are two babies but three identities: one for each baby, and then the twin identity, an amorphous, shared mass of personality and action that makes Amelia fuss one night and Olivia the next.” The essay nicely complements Nick’s Millions piece on Andre Dubus.
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Eye-Candy Gift Books
Boldtype offers up a list of “10 Awesome Books to Give to Your Non-Reading Friends,” i.e. eye-candy gift books.
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On the Spectrum
What color would The Little Prince be? Before you dismiss this as an inane question, artist Jaz Parkinson created color signatures based on how often books mentioned certain hues. The results look like a better Rothko painting. Pair with: Radiolab’s fascinating podcast on the science of color.
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False Negative
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
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