“I always think, ‘What if I can’t?’ Then I always think, ‘Oh shit, don’t think that.’ Because thinking about it can make it happen. Not like it’s happened that often. But I get scared about it. We all do. Anybody that tells you they don’t they’re full of it. They’re always scared it might happen.” There’s a lot of really bad writing about sex. This is a piece about some of the good stuff.
Over at The Atlantic, Lydia Millet argues for the power and legitimacy of The Lorax’s moral message. Millet believes that the heavy-handedness of activist-minded fiction like The Lorax is powerful partly due to “its shamelessness. It pulls no punches; it wears its teacher heart on its sleeve.”
A professor at Clemson University believes he’s identified the fugitive slave who was harbored for one night in the home of Harriet Beecher Stowe. Moreover, the professor believes that the man was “an inspiration for the novel [Uncle Tom’s Cabin]. I think his pain touched [Stowe] and helped her to act.”
Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.