“The day you follow me to that mound of oyster shells on the beach is the day I realize muscle and bone have been at war for a long, long time.” The Saturday Rumpus essay by Ashley Inguanta is tender and poetic. Some past iterations are also well-worth a revisit.
That Used To Be You
Let’s Trade Manuscripts
“If you ask around, I’m sure you’ll be able to find a really bad novel easily enough. I mean a novel by someone who has spent isolated years writing a book they are convinced is a great work of literature. And when you’re reading it you’ll know it’s bad, and you’ll know what bad truly is.” What makes bad writing so bad? Toby Litt at The Guardian investigates.
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The Beautiful Shame
Recommended Viewing: As this year’s World Cup heats up, take a look at what may lie ahead. E:60’s piece on the shameful set-up for Qatar’s 2022 tournament should be an eye-opener in a lot of ways.
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Distraction-Free Writing Platforms
A new distraction-free writing platform has emerged. Can QuietWrite unseat WriteRoom as the best tool for internet-enabled authors?
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The Right Kind of Ambivalence
In the latest entry in By Heart, which I’ve written about before, Thirty Girls author Susan Minot explains why she prefers to read multiple books at once instead of reading through single books from start to finish. Her reasoning? Books are “worlds to dip in and out of, and my relationship to them is continually deepening and evolving.”
Celebrating Beverly Cleary
With her 95th birthday approaching, Beverly Cleary gets the profile treatment in the Times. (previously at The Millions: Cleary’s underappreciated memoirs)
The Master Carpenter
“Better to close your eyes and carry on with your own work, pretending the master carpenter doesn’t exist.” Karl Ove Knausgaard reads Michel Houellebecq’s novel Submission – one of the most anticipated books of 2015. Pair with this Millions essay on Knausgaard’s My Struggle.