“The day you follow me to that mound of oyster shells on the beach is the day I realize muscle and bone have been at war for a long, long time.” The Saturday Rumpus essay by Ashley Inguanta is tender and poetic. Some past iterations are also well-worth a revisit.
That Used To Be You
Photographing the Cool Kids
What does it mean to be cool? According to scholar Joel Dinerstein, it means a person who conveys “relaxed intensity.” Using this definition, Dinerstein and Frank Goodyear III curated a photography exhibition of “American Cool” at National Portrait Gallery. The portraits feature everyone from Joan Didion to David Byrne.
New Hosseini Novel
Khaled Hosseini, author of both The Kite Runner and A Thousand Splendid Suns, has a new book coming out next May. And the Mountains Echoed will be “a multigenerational novel revolving around not just parents and children but brothers and sisters, cousins and caretakers”
“The dead don’t care about much”
Philip Connors‘ essay about his brother, published in Lapham’s Quarterly, is truly heartbreaking.
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Kafka’s “The Country Doctor” as a film
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
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Flaws of Hitch
The recent passing of Christopher Hitchens has led to numerous praiseful eulogies. Many have been (and he would’ve hated this…) hagiographic. Now, in an article for The Nation, Katha Pollitt seeks to “complicate the picture … at the risk of seeming churlish” to allege that the man “had virtually no interest in women’s writing or women’s lives or perspectives.”
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Romance Incarnate
The best way to celebrate May Day? Read Tennyson‘s “The May Queen,” become “Romance Incarnate.”
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Writing the Self
Laura Bennett writes for Slate about how personal essays are taking over the internet. “I think there is just a very fine line between providing a platform for these writers and exploiting them,” says one editor.
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