Time is running out! If you’re still dragging your feet on a Valentine’s card for your significant other, go check out these hilarious monstress valentines from Madeline Gobbo at The Toast. Her “Valentines for the Indifferent” from last year can still work, too.
Sweet Enough to Eat
“The realization that none of us can ever be free from ourselves”
Mary Ruefle wrote an outstanding essay on her development as a writer. “I remember the first time I realized the world we are born into,” she writes, “is not the one we leave.”
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Fact-checking Steinbeck
As John Steinbeck’s classic Travels With Charley nears the half-century mark, a writer has retraced the author’s cross-country journey and come to the conclusion that the resulting book was full of inaccuracies and outright fabrications. The journalist Bill Steigerwald, whose article appears in the current issue of the libertarian quarterly Reason, says he didn’t set out to trash the Nobel laureate. “As a libertarian, I kind of liked the old guy,” Steigerwald tells the New York Times. “He liked guns; he liked property rights.”
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Comparing Hatchets
The Omnivore has announced the shortlist for its the Hatchet Job of the Year Award, honoring “the author of the angriest, funniest, most trenchant book review of the past twelve months.” Worthy candidates all, though we note that our review, written by Holloway McCandless, of Michael Cunningham’s By Nightfall is perhaps even more trenchant than (and was published over a month before) Adam Mars-Jones’ shortlisted review, which, like ours, found Cunningham’s endless references to the literary canon tiresome.
Not the Same
“While we’re sad to discontinue the print edition of Print Lovers Magazine, we’re very excited to see how the advantages of digitizing will benefit our publication. First and foremost, going web-only will bring about a whole new world of ad sales opportunities, making it easier to fund this publication that we cherish so dearly. Additionally, by discontinuing the print edition of Print Lovers Magazine, we’re going green!”
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“I learned to look outward more”
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”