“What love does in this union is dark and difficult and glorious — and stands on the side of life; who would dare or even want to guess more about it than that; and indeed, you will experience it. Certainly not without interruptions and doubts.” Lou Andreas-Salomé’s poignant advice on love and art to none other than Rainer Maria Rilke is certainly Valentine’s Day-appropriate.
Still Concealed Mysteriousness
A literary magazine best served cold.
Break out your book of grudges because River Styx literary magazine has decided on the theme for their next issue: Revenge.
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Prison Poetry
Over at The Paris Review, Max Nelson writes about prison literature, from John Clare to Christopher Smart.
Allen Ginsberg, Beat Historian
"It’s not often one gets the opportunity to take a course on a major literary movement taught by a founding member of that movement," but Allen Ginsberg's lectures on "the literary history of the Beats" are now available online via Open Culture.
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Mothers & Monsters
"All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself." Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
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True South
Amidst all the controversy surrounding Go Set a Watchman, one question that gets left out is how realistic, exactly, the book is in its depiction of its setting. At Salon, Scott Timberg sits down with Professor Angela Thorburg, who makes a case that regardless of its literary qualities, Watchman is “a very accurate perspective of what’s going on here in the South.”
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Harry Potter and the Teflon Cloak
We've been jealous of Harry Potter's invisibility cloak since The Sorcerer's Stone. Now scientists can make an invisibility cloak in 15 minutes with Teflon. We'll never get our Hogwarts acceptance letter, but this is pretty close.
Uncertain Origin
The Wall Street Journal has shared an exclusive look at the cover art for, and an excerpt from, Elena Ferrante’s new book. Also check out Cora Currier’s essay on reading Italy through Ferrante’s books.“