“I prefer … to believe, in the weird and sometimes happy accidents that result—in this case—in kissing a beautiful stranger in the rain. It didn’t really change anything, but it wasn’t trivial. It was one of those encounters that rises up out of nowhere and sinks back into it, giving off light and energy as it goes.” Kim Addonizio’s new addition to Guernica’s “The Kiss” series is fantastic and life-affirming.
Meg Wolitzer's The Interestings has been a Millions favorite, so we're excited to hear about her next book, Belzhar, a young adult novel inspired by Sylvia Plath. The book comes out on September 30 and follows a 16-year-old grieving at a boarding school for fragile teenagers, where she and her classmates discover an alternate world. Wolitzer spoke to NPR about why she was drawn to YA. "Much of what adolescents feel seems set in relief, and much of what they experience is happening to them for the first time."
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.