Did you join Emma Watson’s feminist book club? Katy Waldman did, and she has some thoughts on the Shared Shelf. We have our own feminist hate-read book club with Nicole Cliffe, Michelle Dean, Roxane Gay, and more.
Sharing the Shelf
The Man and His Image
Recommended Reading: Can we separate Knausgaard the writer from Knausgaard the narrator?
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O’Reilly Book Banned
Bill O'Reilly's Killing Lincoln book is banned from Ford's Theatre because of "mistakes."
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The Arrangements
The New York Times Book Review commissioned a work of fiction about the election from Chimamanda Ngozi Adichie. She chose to write about Melania Trump. If you can handle more Trump, check out Greg Chase’s portrait of a Trump supporter, based on Faulkner’s The Sound and The Fury.
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Imaginary Oklahoma
"Imaginary Oklahoma" is an ongoing platform at This Land Press in which "some of today's most important and influential writers combine with artists from outside the state [of Oklahoma] to provide a fictional take on this place we call home." New Yorker editor, author of Celebrity Chekhov, and chart enthusiast Ben Greenman has written a piece entitled "Always and Forever."
Literary Icons Interview Each Other
Year in Reading alum Margaret Atwood interviews Louise Erdrich. They discuss Canada, reproductive rights, their hopes for the future and writing messy characters in a dystopia. Find it in Elle.
Shelf Help
If you're struggling with your writing, turn to biographies of famous authors. This is Tom Perrotta's cure for writer's block. "It’s inspiring to read about a flawed human being who struggled with his or her demons and afflictions, experienced paralyzing episodes of failure or self-doubt, but somehow managed to do the work anyway, and produce something that enriched the world. That’s my version of self-help," he said in a New York Times "By the Book" interview.
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Double Sided
Two ways of looking at a book: "Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page."
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Agency In Poetry
Recommended Reading: This interview at The Paris Review with poet Morgan Parker: "I think personal narrative is really important for the individual and for a collective and for a people. I think it’s important to have agency in that narrative. There’s so much about contemporary life where one story is written upon the person by the outside world, by circumstance."