Umberto Eco, Italian semiotician and author of works such as Theory of Semiotics and The Name of the Rose, has died at 84. His most famous work, The Name of the Rose, was adapted in a film starring Sean Connery and Christian Slater. Reflect on his life by revisiting Hillary Kelly’s review of Confessions of a Young Novelist.
RIP Umberto Eco
Looking at Something?
At Bookforum, Rebecca Donner talks with former Granta editor John Freeman about his new book of interviews, How to Read a Novelist. Freeman says that he enjoys interviewing writers in their homes because it allows him to observe them more closely: “The writer thinks you're taking notes about what he's saying, but you're really writing, ‘His head looks like a lion's head.’”
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Invitation to a Beheading
"The author, whose novels thrum with ironic recurrences, might have been perversely pleased with this: thirty-six years after his death and twenty-two years after the fall of the Soviet Union with all its khudsovets, Vladimir Nabokov is, once again, controversial."
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The Epic Continues
Discovery of the Week: Researchers in Iraq have found twenty new lines from the Epic of Gilgamesh after recovering old tablets from smugglers.
She Tried. That’s What Matters, Right?
Folks who’ve read Mark O’Connell’s Epic Fail (excerpt) may have a perverse curiosity concerning Amanda McKittrick Ros. Widely considered to be one of the worst authors ever to write, McKittrick Ros’s infamous 1887 novel Iddesleigh is available for free download.
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J.G. Ballard Geocoded
The comprehensive list of locations in J.G. Ballard's fiction has been geocoded. Click on a location to view the relevant text, such as Memories of the Space Age in Vancouver or Rushing to Paradise in Malawi.
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Stein Squared: Object Lessons
Paris Review editor Lorin Stein was interviewed for Days of Yore. Topics include: the “perverse power” of editing your parents’ work; his rise through the ranks of NYC publishing; and the new story collection, Object Lessons. Elsewhere you can check out his “five favorite short story collections.” And, in case you missed it, be sure to check out our own Bill Morris’s interview with Paris Review deputy editor Sadie Stein (no relation) about the Object Lessons collection as well.