Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
Kelly Barnhill, author of The Girl Who Drank the Moon, is the winner of this year’s Newbery Medal for “most outstanding contribution to children’s literature,” and Javaka Steptoe, author of Radiant Child: The Story of Young Artist Jean-Michel Basquiat, won this year’s Caldecott Medal.
In The Guardian, Year in Reading alum Joshua Ferris writes a tribute to the novelist Jim Shepard, who taught him at UC Irvine when Ferris was a student there in the early aughts. Ferris makes a case that Shepard single-handedly settles a modern debate: “A lot of critics dislike the professionalisation of creative writing. They have never had Shepard in a workshop.”
“You have turned to stone. A hairline crack runs along your entire length from crown to toe. Your feet have turned to liquid, and you are melting onto the kitchen floor.” Are you living in an Elena Ferrante novel? Li Sian Goh at The Toast has compiled a helpful list of ways to tell whether or not you might be a character in Ferrante’s final Neapolitan novel, The Story of the Lost Child.