Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
Blasphemy Alert: They’re giving the film version of August: Osage County a “less downbeat” ending. Curse you, Harvey Weinstein! Is nothing sacred? Can a woman not lament the disintegration of her life, family, and mental stability while the final lines to T.S. Eliot’s “The Hollow Men” are read by her housekeeper? Has America gone soft?
This past week GOOD laid off most of their editorial staff, including former Executive Editor and creator of the #realtalk From Your Editor tumblog Ann Friedman. Posting some extra #realtalk on her blog yesterday, Friedman announced that the band of former GOOD editors are looking for work and also launching their own magazine: Tomorrow.
Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
“The ideas people project onto me are just that: their projections. And to a certain extent I can choose whether or not to accept them. But these projections also put me in peril, which is why I need to cultivate love. What’s more interesting to me is how I overcome the limiting biases that are projected onto me. If I didn’t discover positive paths, my experiences — and books — would be unbearably devastating. I am always more concerned with the path toward hope and change.”
Camille Dungy, esteemed poet and essayist in Sun Magazine answering the big questions on the environment, race, religion and Trump.