Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”
After waking us up to their favorite Brazilian novelists, the editorial board at Granta is turning its gaze to Norway. In the first issue of Norwegian Granta, you’ll find a slew of stories by illustrious contributors (among them Jennifer Egan, Roberto Bolano and Alice Munro) alongside new stories from authors native to the country. At Granta’s website, you can read an interview with the magazine’s online editor, Ted Hodgkinson.
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.
George Bernard Shaw had a strange relationship with Nietzsche. Alternately envious and dismissive of the German philosopher, Shaw once said he wanted to be an intellectual in Nietzsche’s mold, though he also felt Nietzsche’s thinking was addled and self-absorbed. In an essay for The New Statesman, Michael Holroyd tries to make sense of Shaw’s views.
Now this would be a strange way for an obscure book to become an overnight bestseller. Among The Smoking Gun’s photos of the Tiger Woods crash scene is a shot of a book called Get a Grip on Physics by John Gribbin lying amid the broken glass. Maybe brushing up on physics can help your golf game.