The fall issue of Washington Square Review is now available online, featuring new work by Morgan Parker, Ron Padgett, Mariama Lockington, and interviews with Year in Reading alumnus Nick Flynn, Jenny Offill, Jericho Brown, and Henri Cole. Pair with this Millions profile of Flynn.
Readers of The Neal Pollack Anthology of American Literature most likely have a good idea of just how much the late Norman Mailer was a wellspring of jokes about writers. The pugilistic novelist, journalist and failed mayoral candidate did choose to title a collection of his work Advertisements for Myself, after all. Yet as Andrew O’Hagan notes in the LRB, it’s hard not to admire the cojones on a guy who once told a prominent editor he was “still too young and too arrogant to care to write the kind of high-grade horseshit you print in Harper’s Bazaar.”
“The University of Bologna in Italy has found what it says may be the oldest complete scroll of Judaism’s most important text, the Torah.”
“I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born.” John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.
In his recent collection of poetry, The Americans, David Roderick examines the spaces in which Americans make their homes, calling on his readers to view them in the context of American history. At The Rumpus, Brian Simoneau reviews the collection, which he says illuminates some of his own odd feelings about moving from Boston to Connecticut.
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks — My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead — are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)
“[Christa] Wolf was a committed dissident in the GDR (East Germany) and a forceful voice resisting Western triumphalism after reunification. It would seem like some sort of explanation was owed to the public. Yet how does one give an account of oneself when the link to the past, to the psychological and cultural backdrop of such fateful decisions, is not even subjectively available?” On City of Angels: Or, the Overcoat of Dr. Freud.