If you’ve pulled an all-nighter, you understand the strange mental space that follows. Carmen Maria Machado brings us into that space at Catapult.
On Monday we mentioned that the MTA has started offering free e-books underground as part of its Subway Reads program, but they weren’t the first to make books an integral part of the public transit experience. London’s Books on the Underground was first, but then came a more interesting development in Australia: book ninjas. Books on the Rails is a gonzo experiment started by two Melbourne residents who began releasing free books – actual, paper books – into the wilds of the city’s tram system. About 300 books are currently in circulation in what’s possibly the world’s most open lending library.
Hopefully you’ve read Eryn Loeb’s Millions review of Goodbye to All That, a collection of essays by noted writers on the weird sorrow of leaving New York City. Contributors include Dani Shapiro, whom we interviewed back in October, Emma Straub, who wrote an essay for The Millions back in July, and Millions staff writer Emily St. John Mandel. At the LARB, Mason Currey says he dreaded reading the book out of fear that it would raise old anxieties, but then says that his hesitations “quickly evaporated” when he started reading.
Canonical literature isn’t the only way to learn about America. The bestseller list can be equally as telling. Matthew Kahn is reading 100 years of No. 1 bestsellers from 1913 to 2013. He blogs about the books and discusses the project in an interview with Salon’s Laura Miller. When Miller asks what makes a bestseller, he claims, “A lot of it is just a matter of accessibility. A focus on plot and character rather than structure and the prose itself.”
Tomorrow the Root is launching its short story fiction section, ‘It’s Lit’. If you are a black writer you have a chance to be featured as long as your story is less than 10,000 words. If your story is chosen to be featured you receive $200. Submit your short story here.
“I started zoning out a little. My eyes drifted over toward my cat. Mr. Patterson pulled me right back in by saying, ‘Once you have the outline, start writing dude, you’re ready.’ It was that dude that woke me.” At The Awl, Patrick Hoffman reviews James Patterson’s MasterClass on writing. Pair with Bill Morris‘s account of losing his Pattersonian virginity at 32,000 feet.
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.