Our own Emily St. John Mandel is in conversation with Laura van den Berg over at the FSG blog. “We have such a mania for classification, don’t we? Everything just seems so black-or-white, one-or-zero, genre-or-literary sometimes, and I don’t think those divisions are especially helpful.” The authors are Year in Reading alumni, and you can check out Mandel’s and van den Berg’s posts at the respective links.
It’s notoriously difficult to figure out how to make a living as a freelance writer. The process forces the writer to learn the finer points of negotiation. At the Ploughshares blog, Steph Auteri writes about the “abstract mathematics” of her freelance career, presenting a list of everything she considers before taking on an assignment. Pair with: our own Nick Ripatrazone on teaching the business of creative writing.
From The Rumpus, a new short (short) story by George Saunders, excerpted from Life is Short – Art is Shorter: In Praise of Brevity, with an introduction by David Shields and Elizabeth Cooperman.
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”