Literary Street Art

February 3, 2016

Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”

is an intern for The Millions. Her writing has appeared or is forthcoming in BOMB, Ploughshares online, Music & Literature, Words Without Borders, and elsewhere. She is currently the assistant fiction editor for Washington Square Review. She tweets at @bdantaslobato.

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