For better or worse, the publication date of Umberto Eco’s final book has been bumped up — originally set for a summertime release, Pepe Satàn Aleppe: Chronicles of a Liquid Society is now due out in Italian this weekend. Check out this Eco essay on how to travel with a salmon.
“I started keeping a journal when I was eight, but even before then I was a kid who loved making long lists of everything I could see or remember. Coconut, tricycle, jeepney, air freshener, I would write, for example, and my lists would lengthen and become even more specific as I grew to know the world around me. […] Reading and writing always seemed a part of my life and identity.” For The Rumpus, Swati Khurana interviews Janine Joseph about writing poems as teenagers, writing from experience, and what it meant for Joseph to “come out” as an undocumented immigrant.
Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
What if the next crisis to hit the headlines brings an end to the world as we know it? It’s a mind-bending thing to contemplate, but it’s what our own Emily St. John Mandel tackles in Station Eleven, which made it up to the final five of last year’s National Book Awards. On a new episode of The Takeaway, Emily talks about the novel, exploring what’s left when civilization withers away. You could also read our interview with Emily about the book.