When you think “Franz Kafka,” it typically isn’t his sunny disposition that comes to mind. According to Reiner Stach, this new collection of ephemera, however, seeks to challenge the tired, old conception of Kafka-as-tortured neurotic. Here’s a Millions review of Stach’s twin biographies of Kafka, himself.
Kafka Who?
What It Was Like, Down South
You may have read Darcey Steinke’s Year in Reading piece, or perhaps one of her articles here at The Millions. Or else you might have read -- or at least heard about -- her recent novel, Sister Golden Hair. Either way, you should read this interview at The Rumpus, in which she talks about Virginia, femininity and books that have too much plot.
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Oratory Passion
The best Fourth of July speech? Frederick Douglass delivered it on July 5, 1852. Pair with a reading list for July.
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Gatsby That Almost Were
From Letters of Note, the correspondence between Fitzgerald and his editor upon the former's completion of The Great Gatsby (including Fitzgerald's suggestion for an alternative title: Gold-hatted Gatsby). In response to the many endings of A Farewell to Arms, Slate cooks up 48 canned, alternative endings for Fitzgerald's masterpiece.
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You Call Those Facts? These Are Facts.
“Since scientific knowledge is still growing by a factor of ten every 50 years, it should not be surprising that lots of facts people learned in school and universities have been overturned and are now out of date,” writes Ronald Bailey in his review of Samuel Arbesman’s The Half-life of Facts.
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Suspenseful Degree Program
City University in London is launching the UK's "first creative writing masters dedicated to crime and thriller novels." The degree program will allow 12 to 14 students to focus on crime writing, the UK's second biggest genre, which raked in £87.6m in 2011.
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“You’re a fiction writing professor.”
“You have a hard time imagining how the things you've experienced or discovered, which seem abjectly personal, could be of use to another writer. You're aware that you can follow every single rule in the book, and still write a crappy story.” The Preservationist author Justin Kramon grapples with the idea of teaching writing to college students.