“It’s strange to keep confronting, in these stylistic ways, how you were constructed. What you were constructed to be in the world.” Margo Jefferson sits down with BOMB Magazine to discuss feminism, class, and her memoir, Negroland. Our own Michael Bourne writes on the art of memoir.
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.
Wes Anderson really likes trains, and not just any trains — the director of The Grand Budapest Hotel is a big fan of riding on Amtrak. “It’s one thing to be stuck together for the long haul to New Zealand in the upper deck of a 747 for 16 hours,” he told a writer for the company’ s blog, “but it’s an altogether different matter to hit the dining car three meals a day for two and a half days running onboard the Southwest Chief.” This may be a good time to read our own Nick Ripatrazone’s essay on writers and trains.
After passing through the House, a new bill establishing a four-year term limit for the state’s Poet Laureates is set to reach the Florida governor’s desk in the near future. The Sunshine State has been without a Poet Laureate since Edmund Skellings died in 2012.
The word “nostalgia” comes from the Greek root nostos, meaning “return home,” and algos, or “pain.” It’s painful because we cannot return home again. Ramp up the nostalgia and check out this elegy to the old school book tour by Keith Lee Morris. If we’re talking book tours, here’s a piece on the distinct personality types sure to derail your literary event.
If you haven’t heard about Marley Dias, you have now. She has launched the #1000BlackGirlBooks book drive to collect one thousand books with black girls as the protagonists, which will be donated to a library in St. Mary, Jamaica. Did I mention that she’s eleven years old?