Jefferson on Construction
Frank Ocean’s Fiction
A while back, Frank Ocean alluded to the possibility of one day writing a novel. Asked by Guardian interviewer Rebecca Nicholson about his immediate plans following the success of his last album, Channel Orange, the musician replied, “I might just write a novel next.” The response seemed unserious. But now, in Jeff Himmelman’s long profile of Ocean for The New York Times Magazine, it appears the idea may have a bit more traction. “It’s fiction,” says Ocean. “And it’s about brothers.”
Some Good Stuff
Two great scoops were passed my way by the intrepid Brian, fresh from his European sojourn. The first is this so-wierd-it-has-to-be-true story about Newt Gingrich being an extremely prolific and friendly Amazon.com customer reviewer. Click here for the must-read gory details.While in Spain, Brian read Robert Hughes’ new book Barcelona: The Great Enchantress from the National Geographic Directions series and noticed on the back cover that Jon Lee Anderson, the New Yorker’s Baghdad correspondent extraordinaire, has a book for the series coming out. It will be about Andalucia. This will be a busy year for Anderson. In the fall, his fantastic Baghdad pieces will be collected in The Fall Of Baghdad and he will also release Guerrillas: Journeys in the Insurgent World, which ought to be quite good.
Chabon: Friend to the Geeks
You may not know this, but Michael Chabon co-wrote the script for Disney’s latest blockbuster, Shirtless Martian Tim Riggins John Carter. In an interview with Wired, Chabon defends genre-writing, and also talks about his sci-fi influences.
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A Literary Conspiracy
Gaddis, Pynchon, “Wanda Tinasky”: Jenny Hendrix looks at a real-life literary conspiracy of mistaken identity upon the re-release of “Jack Green’s” Fire the Bastards.
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Is It Now.
With texting and instant messaging perpetually on the rise, the world’s punctuation is starting to evolve. At The New Republic, Ben Crair identifies an odd new consequence of this change: the period is now a sign of anger.
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Poetry Wounds
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
Dispatch from Brazil
Recommended Reading: Selections from the forthcoming Women Writing Brazil issue of PEN America’s Glossolalia.