“Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class.” Adam Fleming Petty on the marginalization of working class lit.
Among the recommendations and rules listed in the CIA’s official style guide: favor the active voice; keep sentences and paragraphs short; boats should not be referred to with gendered pronouns; and the “w” in “Vietnam war” should be lower case because war wasn’t officially declared.
You can lose entire days while researching the Voynich Manuscript on the Internet, so maybe you should begin with this overview of the matter – one that asks whether or not the entire thing is just a big hoax.
When Arthur Conan Doyle wasn't writing Sherlock Holmes, he was a practicing doctor. Thomas Goetz's new book The Remedy discusses the history of tuberculosis and Doyle's role in finding a cure with Robert Koch. The Daily Beast interviewed Goetz about how he came up with the idea for the book. "These two characters were part of a much larger story about how scientific discoveries evolve into social change."
"Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher's quavering voice saying, Write what you know! Why had she insisted on this so vociferously?" Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad's Millions essay on "The Thriller, Reinvented."