“I interrupted the making of this essay three times to record unrelated thoughts in my diary.” Our own Bruna Dantas Lobato writes at Ploughshares on record-keeping. For more of her writing, check out her piece on Juan Goytisolo’s 1970 novel Count Julian for The Millions.
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
According to the title of Matt Steinglass' new essay (a qualified rebuttal of Katie Roiphe's recent piece "The Naked and the Conflicted"), "Today's Male Novelists Do Write Exuberant Sex Scenes, But Mostly Lesbian Ones"
The Paris Review will soon move into a new office space, and while preparing for the relocation, some staffers discovered “a batch of small, white booklets” entitled “The Paris Review: Twenty Year Index, Issues 1-56.” The lists seemed to indicate everything that had been published in the magazine during its first 23 years of existence, and they also featured an introduction from founder George Plimpton – an introduction, by the way, that really depicts the Review of old better than any photograph ever could.
This week in book-related infographics: Waterstones has put together an illustrated formula for the ultimate bestseller, "a thriller tale of crime, bondage and wizardry."
“Through such experiments, [he] seems preoccupied by the need to make this familiar form something different from what we think it is, so that it can more capably capture a reality that has fast been veering into the unreal. It’s not just that the world outside the novel has made this jump, but also that we cannot evade the world’s strangeness when the storytellers, and the characters into which they breathe life, increasingly come from such different perspectives.” On Year in Reading alum Chang-rae Lee’s new novel (which you can buy with a nifty 3D book cover).