Nobody likes to be critiqued. Lucas Gardener at The New Yorker would really like to assure all of his concerned Creative Writing workshop classmates that his most recent submission, “Creative Writing Beatdown,” is entirely fictional and has no basis in reality. Really.
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
The latest entity to get sucked into the Jerry Sandusky pedophile scandal that’s engulfed Penn State? Amazon. Users are leaving angry comments on the site’s comment boards about Touched: The Jerry Sandusky Story, Sandusky’s unfortunately titled 2001 biography.
Jonathan Raban intersperses biographical information about William Gaddis in order to give the correspondence collected in his recently published Letters greater context. There are ample details about the author’s travels in his young adulthood, his artistic frustrations over the publication of The Recognitions, and, of course, many details about the women in Gaddis’s life. “In letters to his mother,” Raban writes, “Gaddis liked to depict himself as someone repeatedly smitten by beautiful women.” (Bonus: “The Letters of William Gaddis contains five letters addressed to me.”