“The striking thing about her search for God is that she sometimes finds him. Pilgrim at Tinker Creek’s second chapter, after a kind of introduction, is titled ‘Seeing.’ There are two kinds, she explains. The common variety is active, where you strain, against the running babble of internal monologue, to pay attention to what’s actually in front of you. But, she tells us, ‘there is another kind of seeing that involves a letting go.’ You do not seek, you wait. It isn’t prayer; it is grace. The visions come to you, and they come from out of the blue.” On Annie Dillard’s turn to silence.
Out this week: Ninety-Nine Stories of God by Joy Williams; Sarong Party Girls by Cheryl Lu-Lien Tan; Pond by Claire Louise-Bennett; Break in Case of Emergency by Jessica Winter; The Heavenly Table by Donald Ray Pollock; Miss Jane by Brad Watson; The Trouble with Goats and Sheep by Joanna Cannon; and The Invoice by Jonas Karlsson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
Who was it that came up with the idea that a million monkeys in front of a million typewriters would eventually, with their random keyboard smashing, type William Shakespeare’s complete works? Well, you can give the experiment a try here (link from the CC). And while you’re waiting for your monkeys to finish typing Love’s Labor’s Lost, check out some book excerpts I found:Heir to the Glimmering World by Cynthia Ozick — excerpt, NYT review, SF Chronicle reviewChain of Command by Seymour Hersh — excerpt, CS Monitor reviewThe Double by Jose Saramago — excerpt, NZ Herald reviewThe Fall Of Baghdad by Jon Lee Anderson — excerpt, WaPo review