“The striking thing about her search for God is that she sometimes finds him. Pilgrim at Tinker Creek’s second chapter, after a kind of introduction, is titled ‘Seeing.’ There are two kinds, she explains. The common variety is active, where you strain, against the running babble of internal monologue, to pay attention to what’s actually in front of you. But, she tells us, ‘there is another kind of seeing that involves a letting go.’ You do not seek, you wait. It isn’t prayer; it is grace. The visions come to you, and they come from out of the blue.” On Annie Dillard’s turn to silence.
You’ve probably heard the internet adage, “If it exists, there is a porn of it.” Never has that been truer than in the case of the political erotica of 2016. From a particularly colorful Cruz/Rubio series: “’Who is this Hillary you’ve been texting?’ Rubio asks Cruz. ‘Saying things like ‘meet me when Marco’s not home,’ ‘I can hook you up,’ ‘what’s the price’ … don’t act all naïve right now!'”
“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.
Newsweek names “The Most Dangerous Man in Publishing.”Adam Kirsch interviewed about his new bio of Benjamin Disraeli.”Daily Routines: How writers, artists, and other interesting people organize their days.” (via Jacket Copy)David Horvitz discovers several pages of his writing in this year’s Dave Eggers-edited Best American Nonrequired Reading. He was not told that his work (pulled from his website) would be appearing in the book. Now he is peeved and has made several demands. (No permalinks, so check out the long Dec. 9 entry.) (Thanks Buzz)The LA Times unveils its Favorite Books 2008.Google’s year-end “Zeitgeist” of 2008 search activity. Breaking Dawn the unsurprising top search.Recently discovered aggregators of quality content: The Browser and Give Me Something to Read.This week’s Wikipedia treat: a gem of alternative punctuation: the “irony mark.” In the history section of that entry, take note of the “doubt point, certitude point, acclamation point, authority point, indignation point, and love point.”Scott gets to the bottom of the striking new cover designs on Dalkey Archive Press’ books.NPR features an excerpt from Firmin, a Millions favorite (and former LBC pick) that is soon to be published in a new edition by Delta, a Random House imprint.The Association of American Publishers teams with several celebs to create BooksAreGreatGifts.com and accompanying YouTube vid. “Books make great gifts because they are an amazing way to kill time while your web site is buffering.” – Jon Stewart. (thanks Laurie)
Esi Edugyan’s Half-Blood Blues, shortlisted for the Booker Prize, is now out in the U.S. Also new this week are John D’Agata’s much-discussed Lifespan of a Fact, Sarah Manguso’s The Guardians, Ellen Ullman’s By Blood and The Boiling Season by Christopher Hebert, who has an essay up on our site today. The new memoir by Anthony Shadid has seen its release date pushed up to this week. See our remembrance of Shadid. Finally, it’s Christmas for baseball fans: the 2012 Baseball Prospectus is out.
Over the weekend, Canada’s National Post ran a book review by our own Michael Bourne, who contributed a piece on Bright Lights, Big City this week. In the review, Michael reads Thomas King’s The Back of the Turtle, which he says reaffirms the rule that bad guys are always more interesting.
“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.