“Historical fiction was not—and is not—meant to supplant literature from the period it describes.” Year in Reading alumnus Alexander Chee on historical novels and creative liberties.
Facts and Feelings
Best Last Lines
The American Book Review has a list (pdf) of the 100 best last lines from novels. I can’t think of mine; I keep getting “last line” confused with “end.” Thoughts? (Thanks Shakesville).
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Literature By The Numbers
The New York Times reports that the titles of every British book published in English in the 19th century (1,681,161, to be exact) are being electronically scoured for key words and phrases that might offer insight into the Victorian mind.
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Writing as Profession
Writers can’t create original work without financial stability and a minimum amount of rest, writes Maggie Doherty in Dissent. Pair with Kate Angus’s Millions essay on making a living as a poet.
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New from John Ashbery
Recommended Reading: New poetry from John Ashbery in the January 18th issue of the New Yorker. If you’re looking for inspiration, read Ashbery, “buy a bottle of wine and stay up all night drinking it while producing an imitation” of the poet’s work.
Entering Lovecraft Country
“Lovecraft Country doesn’t just race along, it tears, demanding that you keep turning its pages without interruption. I read the second half of the book while walking in my neighborhood, holding the book with one hand and clutching bags of groceries in the other, and then finishing up in bed with a small LED lamp after my wife had fallen asleep. It’s one of those books.” Cory Doctorow reviews Matt Ruff’s Lovecraft Country at BoingBoing.