Recommended Listening: this episode of the Ryder + Flye podcast in which Jason Diamond and Margaret Eby discuss Southern Catholicism, 70s cinema, and why it’s so darn hard to make Flannery O’Connor’s stories work on the screen.
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.
Fanfiction has been gaining mainstream popularity and cultural heft – just take our own Elizabeth Minkel‘s Year in Reading post as evidence. For those of us with less experience in the fic community, Vulture has assembled a comprehensive “Guide to the Fanfiction Explosion,” complete with infographics on Harry Styles fic, an explanation of why Annie Proulx isn’t thrilled about Brokeback Mountain spinoffs, and, of course, a syllabus for further reading.
This past Monday The Paris Review revealed the winners of the first annual Honey & Wax Book Collecting prize. This prize is different from the average literary prize because it focuses on celebrating women under 30 who have a passion for collecting books. The prize was created by the Brooklyn bookstore, Honey & Wax. The owners “O’Donnell and Romney had observed that although the young women who entered their store were passionate about their collections, they rarely referred to themselves as collectors. Their hope is to ‘encourage young women who are actively collecting books to own and share that part of their lives, and to think strategically about the future of their collections.’” Meet the women and their incredible collections here and pair it with our post on the complete archives of The Paris Review.
At the Fiction Writers Review, Robin Black sits down with contributor and Year in Reading alumna Nichole Bernier. The two discuss, among other things, Bernier’s new novel, The Unfinished Work of Elizabeth D., as well as novels in which lengthy sections feature characters reading journal entries. (Bernier calls them “funhouse mirrors.”)