Recommended Reading: John Williams suggests some reads as we prepare for the presidential primaries.
Elections and All
Submission Alert!
Heads up, writerly types! Dzanc Books is looking for submissions for their newly-announced 2016 Prize for Fiction. Judges Carmiel Banasky, Kim Church, and Andrew F. Sullivan will determine the winner, who is slated to receive publication and a not-so-insignificant $10,000 prize. Go get published.
Commas, Commas, and More Commas
The outcome of a court judgment concerning a dispute between a dairy company and its delivery drivers hinged on a grammar. Specifically, what does the Oxford comma signify?
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New Morrison Novel
Toni Morrison fans, rejoice! She has a new novel coming out in April, titled God Help the Child.
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Required Listening
In response to Natasha Vargas-Cooper’s argument that we should end high-school reading lists, our own Nick Ripatrazone defended reading lists here at The Millions. Now, on New Hampshire Public Radio, the two take the debate to the airwaves. (Bonus: Year in Reading alum Sam Lipsyte makes a cameo.)
What Happens When It Becomes Self-Aware?
An NYU graduate student has created the BurritoBot, a robot capable of “printing” edible bean burritos, and you can control the machine with your iPhone. Humanity, we have peaked.
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Samuel Beckett Wears Short Shorts
From the Sentences We Thought We'd Never Write Department: Samuel Beckett shows some leg.
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Kanye West, Philosopher + Author
Kanye West is back on Twitter. And in literary news, he's decided to write a philosophy book, Break the Simulation and publish excerpts (or maybe the entire thing) on Twitter. There appears to be no release date or publisher attached so stay tuned.
Jewel Boxes
Colm Tóibín's new book on Elizabeth Bishop is unusually hard to categorize. Part “primer,” part “personal reflection,” in Jonathan Farmer’s words, it moves back and forth between analysis and lyricism, alternating passages of beauty with nuts-and-bolts guides to Bishop’s poems. In Slate, Farmer tries to nail it down. You could also read our own Michael Bourne’s review of Tóibín's The Master.